Editorial note: This publication and Quirky Cotton Collective share an owner. This is not an independent review. The Cat Daddy Feline Father Lover Pet Owner […]
Continue readingAuthor: Sally Jenkins
The Smallest Word on the Shirt: Reading the Lowercase ‘meh.’
Editorial note: This publication and Quirky Cotton Collective share an owner. The garment preview for the Meh Funny Sarcastic Introvert Minimalist Saying shows a dark […]
Continue readingThe Salted Butter Shirt: A Wrapper You Can Wear, and the One Word It Refuses to Say
Editorial note: this publication and Quirky Cotton Collective share an owner, so this is not an independent review. The graphic is a butter-stick wrapper turned […]
Continue readingThe Wolf Is a Shadow: Reading the Chihuahua Boxing Shirt
Editorial note: This publication and Quirky Cotton Collective share an owner. The garment image shows a cream-colored shirt printed with the words I GOT THAT […]
Continue reading
Rubles per Square Metre: Why Market Prices Do Not Measure Artistic Value
A market price is a dated fact about a transaction. It records what one buyer paid one seller, in one currency, under one set of […]
Continue reading
How to Criticize a Painting Without Reducing It to Its Subject Matter
How to Criticize a Painting Without Reducing It to Its Subject Matter Subject-matter criticism describes what a painting depicts, judges the depiction, and stops. It […]
Continue readingHow the Soviet Thematic Painting System Taught Painters to Plot Before They Painted
The Teksty Requirement: A Painting’s Narrative Argument Before Brush Meets Canvas The Soviet thematic painting system — tematicheskaia kartina — demanded that a painter submit […]
Continue reading
Why the Best Abstract Paintings Contain Specific Decisions Not Random Gestures
Abstract painting is not the absence of decision. It is the accumulation of them. The best abstract paintings contain specific decisions about pigment, ground, support, […]
Continue reading
The Difference Between a Painting That Is Decorative and One That Demands Attention
A painting that is decorative sits politely on the wall. A painting that demands attention does not ask permission. The difference is not subject matter, […]
Continue readingHow to Read a Painting’s Underdrawing — and Why the Drawing Underneath Is the First Decision, Not a Preliminary One
Oil on canvas, 120 × 90 cm, 1971. The support is a medium-weight Belgian linen, primed with two coats of rabbit-skin glue and a single […]
Continue reading
How Painting Teaches Patience That Digital Media Eliminates
Patience in painting is not a moral virtue. It is a material condition. Oil paint dries by oxidation, not evaporation. A layer of lead white […]
Continue reading
Why Eastern European Art History Needs Its Own Framework Not Western Borrowings
The Main Entity: A Regional Framework for Eastern European Painting An autonomous framework for Eastern European art history is a method of reading paintings through […]
Continue reading